Tragically, the beautiful and sexy Black Swan is an examination of the will of the artist's performance in search of perfection. It's a drum roll, the building is a remarkable crescendo with the occasional flash of the strings, cut to the heart of history, where to make the viewer's attention. Described as a psychological thriller in the world of New York City Ballet, is none of hiding his secret, but it is to fill the gap.
Director Darren Aronofsky (The Wrestler), working from a screenplay by Mark Heyman, Andres Heinz, and John McLaughlin wrote, tells the story of a ballerina preparing for first described the performance and the gradual descent into darkness to magical heights. Playing with the fact that this is a movie in the middle of the world of ballet, Aronofsky uses her beauty, elegance and inherent competition from this world to play with the audience, which just pulls the carpet underfoot comfort. Make no mistake, while the Black Swan is a film about a ballerina, will be both exciting and beautiful.
The film is about Nina (nicely played by Natalie Portman), a passionate dancer who has been selected as a feature dancer in the company's first production of the new season, "Swan Lake". Asked to play both charming and alluring White Swan Black Swan begins to mount pressure and tests of emotional turn. Nina is a dancer with the most technical of the innocent sensual siren. In many ways the director, Thomas Leroy (Vincent Cassel, solid in-the-book efficiency) is recommended, but while he acknowledges the technical capacity is perfect for the Swan White, still doubted his ability to be as impartial as to the part of the Black Swan is needed.
Nina quest for perfection and professionalism are busy both physically and mentally. Her relationship with dedicated (perhaps overly so) her mother (a performance tour by Barbara Hershey), fragmented and distorted competition with Lily (Mila Kunis), the new model of the company and a ballerina, as widespread as is Nina reluctant to begin to take shape.
The comparisons to Michael Powell and Emeric Pressburger The Red Shoes are guaranteed, while comparing make - taking into account both the search for a measure of intensity - Black Swan »is a horror film in relation to the intensity of red shoes. This is a movie where you start to believe that anything is possible. Aronofsky never agree with the games, the head or the mind that is always referred to simply stick drama. He walks a line between the two with ease and never faltered, so the audience does not feel safe and are cast to the task.
Natalie Portman is at its best in a role that requires every ounce of their talent. Portman has studied ballet until she was in her teens and most of the ballet work you see here is, including a spectacular prologue section. But more important is the emotional depth to her character goes in life. That should have been taxed Portman performance, but the film benefits greatly.
Kunis is also an actress of quality and origin, has so poured out several days of "That '70s Show" and begins its full potential as a film actress. And a supporting performance by Winona Ryder, as the only element with a dancer Nina Beth MacIntyre, who urged Ryder shows her best in a limited role. Her performance is probably a part of the reason Portman enhance their game to the level achieved.
Aronofsky and cinematographer Matthew's time Libatique (The Fountain, Requiem for a Dream) to meet the dance scenes with the power and the use of mirrors, parts of the manipulation of history is excellent, especially in a club scene, I can not wait to look back.
Black Swan is sexual, exciting, sensual and exciting. Clint Mansell score brings "Swan Lake" by Tchaikovsky for the dramatic highs and people were buzzing in my control, as he left. This is a film that uses one minute each time, resulting in 103 different chewing small pieces, which are all ready for the test.
